[Mirrored from http://babelstone.blogspot.com/2006/03/unicode-character-names-part-1-good.html]
The one thing about Unicode that really seems to bug people more than anything else is that the character names are not always perfect, are sometimes misleading, and in a few cases are just plain wrong.
All Unicode characters have an official name which is used to uniquely identify them (but see Note 1 below the table). The 71,226 CJK ideographs have algorithmically derived names based on their code point (e.g. CJK UNIFIED IDEOGRAPH-4E00 for U+4E00), and the 11,172 Hangul syllables have algorithmically derived names based on their phonetic composition (e.g. HANGUL SYLLABLE GAH for U+AC1B, which is composed of the three jamo letters G, A and H). The remaining 15,257 characters have hand-crafted names, and it is perhaps not suprising that a few mistakes have crept in from time to time. These are some of the sort of problems that may be found in Unicode character names :
In addition to these sort of problems, there are also many character names that are technically "correct", but which some people still object to, for example because the name represents the pronunciation of the character in one language but is pronounced differently in their language, or because the Unicode name is based on one system of transliteration, but they prefer a different system of transliteration (character names are constrained to the letters "A" through "Z", the digits "0" through "9", space and hyphen, so often there is no choice but to resort to awkward names such as DEVANAGARI LETTER LLLA). In cases such as these the alternative pronunciation or transliteration may be annotated in the Unicode code charts.
One of the things that really annoys some people is that Han characters (漢字 hànzì / kanji / hanja) are named as "CJK [Unified/Compatibility] Ideographs", when technically they are not ideographs ("a character symbolizing the idea of a thing without expressing the sequence of sounds in its name" according to the SOED). Nor are they limited to Chinese, Japanese and Korean (CJK) usage, but have also been used for Vietnamese (ideographs used to write Vietnamese are called chữ nôm 字喃 / 𡦂喃 / 𡨸喃) and Zhuang (ideographs used to write Zhuang are called sawndip). Thus on two counts two-thirds of Unicode characters could be considered to be wrongly named. As Confucius put it :
When names are not correct, what is said will not sound reasonable; when what is said does not sound reasonable, affairs will not culminate in success; when affairs do not culminate in success, rites and music will not flourish; when rites and music do not flourish, punishments will not fit the crime; when punishments do not fit the crime, the common people will not know where to put hand and foot.
Lun Yu 論語 [The Analects] 13.3 (D.C.Lau trans.)
But, hey, I'm not a Confucianist, so I don't mind too much about wrong or misleading character names (except for U+A856 of course, which will irk me to the grave), and I have no problems referring to 漢字 as ideographs -- to me it's just a convenient label.
Anyway here is my list of characters which either deliberately or accidentally have sub-optimal names. This is by no means an exhaustive list, and other people will no doubt have their own suggestions to add.
|Code Point||Character||Character Name||Comments|
|LATIN CAPITAL LIGATURE IJ
LATIN SMALL LIGATURE IJ
|These are not ligatures as the "i" and "j" are not joined together.|
|LATIN CAPITAL LETTER OI
LATIN SMALL LETTER OI
|These characters represent the letter "gha" used in the Kirghiz Latin alphabet between 1928 and 1940, and have nothing to do with either "o" or "i".|
|01BE||ƾ||LATIN LETTER INVERTED GLOTTAL STOP WITH STROKE||Whilst this character superficially looks like an inverted glottal stop, it is in fact derived from a ligature of the letters "t" and "s", which explains its use as an archaic phonetic representation of [ts] as an affricate (e.g. for the sound of the "z" in German Zimmer "room").|
|LATIN SMALL LETTER DB DIGRAPH
LATIN SMALL LETTER QP DIGRAPH
|These characters are ligatures of "db" and "qp" respectively, and not digraphs.|
COMBINING CARON BELOW
|These and 42 other precomposed characters such as U+010D LATIN SMALL LETTER C WITH CARON č use the word "caron" to signify what is normally called a háček ("little hook" in Czech). Indeed, in Unicode 1.0 the names of these letters all used the term HACEK (e.g. U+02C7 MODIFIER LETTER HACEK), but all instances of "hacek" were changed to "caron" when Unicode merged with ISO/IEC 10646.
Nobody knows what the etymology of the term "caron" is, or where and when it was coined, but the earliest known use of the term is in the 1967 edition of the United States Government Printing Office Style Manual, from whence it was introduced into ISO character encoding standards (see Antedating the Caron for details).
|034F||COMBINING GRAPHEME JOINER||This character does not combine graphemes, but rather indicates that adjacent characters should be treated as a graphemic unit.|
|CYRILLIC CAPITAL LETTER OMEGA WITH TITLO
CYRILLIC SMALL LETTER OMEGA WITH TITLO
|The diacritic on these characters is not actually a "titlo" (although everyone agrees that it is not a titlo, it is not clear exactly what the origins of the diacritic mark is), which explains why they do not decompose to U+0460/U0461 CYRILLIC CAPITAL/SMALL LETTER OMEGA and U+0483 COMBINING CYRILLIC TITLO. The character is used to represent the exclamations "о!" and "оле!", and is known in Russian as "beautiful omega" красивая омега or "wide omega" широкая омега.|
|0598||֘||HEBREW ACCENT ZARQA||This character is not actually a "zarqa" at all (which is U+05AE), but is intended to represent the sign called "tsinorit" that is used in the three poetic books (Job, Proverbs, Psalms), and that is centred above a base letter.|
|05AE||֮||HEBREW ACCENT ZINOR||This character is intended to represent the sign called "zarqa" that is used in the twenty-one books of the Old Testament, as well to represent the sign called "tsinor" (sometimes transliterated "zinor") that is used in the three poetic books (Job, Proverbs, Psalms). Both these signs share the same glyph form and are placed above and to the left of a base letter.|
|0670||ٰ||ARABIC LETTER SUPERSCRIPT ALEF||This is actually a vowel sign, not a letter.|
|0B83||ஃ||TAMIL SIGN VISARGA||Although this sign derives from a special type of visarga, it is not called a visarga in Tamil, but is known as an "āytham" (which is a Tamilized form of the Sankrit word "āśrita", being a class of visarga).|
|0CDE||ೞ||KANNADA LETTER FA||This letter has nothing to do with the sound /f/, but actually represents a Dravidian /l/, and should rightly have been called KANNADA LETTER LLLA, in line with the corresponding letters in other Indic scripts, such as U+0934 DEVANAGARI LETTER LLLA, U+0BB4 TAMIL LETTER LLLA and U+0D34 MALAYALAM LETTER LLLA].|
|LAO LETTER FO TAM
LAO LETTER FO SUNG
|The character names for U+0E9D and U+0E9F are swapped. U+0E9D is a high tone class letter, and should have been named LAO LETTER FO SUNG (SUNG meaning "high"); whereas U+09EF is a low tone class letter, and should have been named LAO LETTER FO TAM (TAM meaning "low").|
|LAO LETTER LO LING
LAO LETTER LO LOOT
|The character names for U+0EA3 and U+0EA5 are swapped. LO LING is the mnemonic name for U+0EA5 ("lo as in ling [monkey]"); whereas LO LOOT is the badly transliterated mnemonic name for U+0EA3 ("lo as in "loot" for "ro as in rot [motor car]").|
|0F0A||༊||TIBETAN MARK BKA- SHOG YIG MGO||This character is meant to represent the sign that is used in formal documents in Bhutan to indicate an inferior addressing a superior (the "petition honorific"), but the Tibetan name BKA- SHOG YIG MGO actually indicates a superior addressing an inferior ("starting flourish for giving a command"). When the character that really indicates a superior addressing an inferior was later encoded at U+0F0D, it had to be assigned a slightly different but synonymous name, TIBETAN MARK BSKA- SHOG GI MGO RGYAN ("starting flourish for giving a command").|
|0F0B||་||TIBETAN MARK INTERSYLLABIC TSHEG||The tsheg mark is not restricted to intersyllabic usage, and may occur at the end of a terminal syllable or multiple times as "justifying tshegs" at the end of a line.|
|0F0C||༌||TIBETAN MARK DELIMITER TSHEG BSTAR||This character is simply a non-breaking version of the "tsheg" mark (U+0F0B) that is used exclusively between the letter NGA (U+0F44) and the "shad" mark (U+0F0D).|
|0FD0||࿐||TIBETAN MARK BSKA- SHOG GI MGO RGYAN||Mistake for TIBETAN MARK BKA- SHOG GI MGO RGYAN (the syllable BSKA- does not naturally occur in Tibetan).|
|156F||ᕯ||CANADIAN SYLLABICS TTH||This character looks like an asterisk, and it probably is an asterisk. The imaginary letter TTH was accidentally encoded when someone mistook an asterisk denoting a proper noun as a letter in the Canadian aboriginal script.|
|MONGOLIAN LETTER ALI GALI ANUSVARA ONE
MONGOLIAN LETTER ALI GALI VISARGA ONE
|The ONE in the names of these two characters is spurious. Each of these two characters have two different glyphs forms, which are distinguished by the application or not of U+180B MONGOLIAN FREE VARIATION SELECTOR ONE (FVS-1) :
<1880> ᢀ and <1880 180B> ᢀ᠋ (actually, the former is technically a CANDRABINDU and the latter an ANUSVARA, and even though CANDRABINDU and ANUSVARA are used interchangeably in Mongolian contexts, I would have thought that they should have been encoded separately, as is the case with Tibetan and other Brahmic scripts);
<1881> ᢁ and <1881 180B> ᢁ᠋.
My theory is that in an early draft for the Mongolian block each variant form of these two characters was assigned a separate code point, with names differentiated by ONE and TWO :
MONGOLIAN LETTER ALI GALI ANUSVARA ONE
MONGOLIAN LETTER ALI GALI ANUSVARA TWO
MONGOLIAN LETTER ALI GALI VISARGA ONE
MONGOLIAN LETTER ALI GALI VISARGA TWO
When a decision was later made to unify the variant forms of the two characters and distinguish their variant forms by means of variation selectors, MONGOLIAN LETTER ALI GALI ANUSVARA TWO and MONGOLIAN LETTER ALI GALI VISARGA TWO were deleted, leaving MONGOLIAN LETTER ALI GALI ANUSVARA ONE and MONGOLIAN LETTER ALI GALI VISARGA ONE unchanged.
|200B||||ZERO WIDTH SPACE||Being zero-width, it is not actually a "space".|
|2118||℘||SCRIPT CAPITAL P||Actually a lowercase calligraphic "p".|
|262B||☫||FARSI SYMBOL||This is not a symbol of Farsi (the modern Persian language), but is in fact the official emblem of the goverment of the Islamic Republic of Iran. In Unicode 1.0 this character was properly named SYMBOL OF IRAN, but the name was changed on merger with ISO/IEC 10646.|
|HIRAGANA DIGRAPH YORI
KATAKANA DIGRAPH KOTO
|These characters are ligatures, not digraphs.|
|A015||ꀕ||YI SYLLABLE WU||This is neither a syllable nor pronounced "wu", but is actually a syllable iteration mark, similar in function to the ideographic iteration marks such as U+3005 々 IDEOGRAPHIC ITERATION MARK.|
CJK COMPATIBILITY IDEOGRAPH-FA0E
CJK COMPATIBILITY IDEOGRAPH-FA0F
CJK COMPATIBILITY IDEOGRAPH-FA11
CJK COMPATIBILITY IDEOGRAPH-FA13
CJK COMPATIBILITY IDEOGRAPH-FA14
CJK COMPATIBILITY IDEOGRAPH-FA1F
CJK COMPATIBILITY IDEOGRAPH-FA21
CJK COMPATIBILITY IDEOGRAPH-FA23
CJK COMPATIBILITY IDEOGRAPH-FA24
CJK COMPATIBILITY IDEOGRAPH-FA27
CJK COMPATIBILITY IDEOGRAPH-FA28
CJK COMPATIBILITY IDEOGRAPH-FA29
|These are all unified ideographs in their own right, not compatibility ideographs (which are duplicate ideographs encoded for roundtrip mapping to legacy character sets where the same character is encoded more than once, either as pronunciation variants or as minor glyph variants).|
|FE18||︘||PRESENTATION FORM FOR VERTICAL RIGHT WHITE LENTICULAR BRAKCET||Mistake for PRESENTATION FORM FOR VERTICAL RIGHT WHITE LENTICULAR BRACKET.|
|1D0C5||𝃅||BYZANTINE MUSICAL SYMBOL FHTORA SKLIRON CHROMA VASIS||Mistake for BYZANTINE MUSICAL SYMBOL FTHORA SKLIRON CHROMA VASIS.|
|1D13A||𝄺||MUSICAL SYMBOL MULTI REST||The glyph is actually a "breve rest" or "double whole rest". A new character named MUSICAL SYMBOL MULTIPLE MEASURE REST is introduced in Unicode 5.1 at U+1D129 to represent a rest of arbitrary length (sometimes called an H-bar rest).|
|MONOGRAM FOR EARTH
DIGRAM FOR HEAVENLY EARTH
DIGRAM FOR HUMAN EARTH
DIGRAM FOR EARTHLY HEAVEN
DIGRAM FOR EARTHLY HUMAN
DIGRAM FOR EARTH
|TaiXuan Jing symbols are made up of a combination of three different elements, an unbroken line that represents heaven (Chinese tian 天), a single broken line that represents earth (Chinese di 地) and a double broken line that represents human (Chinese ren 人). The monograms and digrams are named using the terms HEAVEN, EARTH and HUMAN, but they map the single broken line to HUMAN and the double broken line to EARTH, which is not the normal association.
The correct mappings for these characters are :
MONOGRAM FOR EARTH = ren (human)
DIGRAM FOR HEAVENLY EARTH = tian ren (heaven/human)
DIGRAM FOR HUMAN EARTH = di ren (earth/human)
DIGRAM FOR EARTHLY HEAVEN = ren tian (human/heaven)
DIGRAM FOR EARTHLY HUMAN = ren di (human/earth)
DIGRAM FOR EARTH = ren ren (human/human)
Note 1. The 65 control characters at <0000..001F>, <007F> and <0080..009F> do not have have formal names in Unicode or ISO/IEC 10646, and they are generally referred to by their designations in ISO/IEC 6429. However, there is a move under foot to formally define names for these characters (see N3046 "Improving formal definition for control characters").
Unicode has now issued their own list of anomalous character names as Unicode Technical Note 27 : Known Anomalies in Unicode Character Names.
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